Whatcha think about Orange?
Posted: Wed Dec 31, 2008 2:02 am
Fucking great tone
Fucking great tone
Panterachat
Whatcha think about Orange?
Page 1 of 2
Fucking great tone
Posted: Wed Dec 31, 2008 3:03 am
Who the fuck ARE YOU?
Posted: Wed Dec 31, 2008 4:03 am
Sip orange drink from my ding dong
Posted: Wed Dec 31, 2008 6:46 am
Overpriced, gargling indy garbage. Orange are fucking shit.
If you want something with actual good tone and build along similar lines just go for Vox
If you want something with actual good tone and build along similar lines just go for Vox
Posted: Wed Dec 31, 2008 8:50 am
Splawnwhitemike wrote:Overpriced, gargling indy garbage. Orange are fucking shit.
If you want something with actual good tone and build along similar lines just go for Vox
Posted: Wed Dec 31, 2008 1:20 pm
Never heard of them or played on them.
Posted: Wed Dec 31, 2008 5:10 pm
doesnt even compare to matamp.
Posted: Wed Dec 31, 2008 5:27 pm
I'm kinda stuck on Line 6 right now.
Posted: Wed Dec 31, 2008 7:02 pm
overrated. people just want to be seen playing em i swear. i don't know.
Posted: Wed Dec 31, 2008 7:31 pm
A guitar player in a band my band has played with has one of those and it's only tone is "loud". Meh.
Posted: Wed Dec 31, 2008 8:12 pm
I like them, but the newer ones need some work. If you ever find an old OR-120 or OD-120 
Posted: Wed Dec 31, 2008 8:39 pm
actually i think theyre great. i've played them before in death metal bands and they'll blow most amps out of the water gain wise. plus stoner/amp worship people love them so they must be doing something right. line 6 on the other hand..stoic wrote:overrated. people just want to be seen playing em i swear. i don't know.
Posted: Thu Jan 01, 2009 12:48 pm
Line 6 is for lazy fucks that can't find their tone so they use digital because it's that easy.
Posted: Thu Jan 01, 2009 2:38 pm
Posted: Thu Jan 01, 2009 8:10 pm
Wait.. WHO THE FUCK ARE YOU?SkullFvck wrote:Line 6 is for lazy fucks that can't find their tone so they use digital because it's that easy.
Posted: Fri Jan 02, 2009 12:06 am
SkullFvck wrote:Line 6 is for lazy fucks that can't find their tone so they use digital because it's that easy.
Oooorrr need lots of different tones and don't feel like hauling all their gear in a Ryder Truck to the gig.
Posted: Fri Jan 02, 2009 1:33 pm
hmm. haven't been around a lot of them. but the one i played with was eh...Acid Flashbakc wrote:actually i think theyre great. i've played them before in death metal bands and they'll blow most amps out of the water gain wise. plus stoner/amp worship people love them so they must be doing something right. line 6 on the other hand..stoic wrote:overrated. people just want to be seen playing em i swear. i don't know.
Posted: Fri Jan 02, 2009 1:35 pm
guilty. but i also utilize the wheel. and pockets.. and all other kinds of bs technologySkullFvck wrote:Line 6 is for lazy fucks that can't find their tone so they use digital because it's that easy.
Posted: Fri Jan 02, 2009 1:41 pm
stoic don't just troll around in here. free zone needs ya.
Posted: Fri Jan 02, 2009 1:50 pm
stoic wrote:guilty. but i also utilize the wheel. and pockets.. and all other kinds of bs technologySkullFvck wrote:Line 6 is for lazy fucks that can't find their tone so they use digital because it's that easy.
Skullfvck keeps it real and hauls his gear on a sledge.
Posted: Fri Jan 02, 2009 2:57 pm
Pfl?yd wrote:stoic wrote:guilty. but i also utilize the wheel. and pockets.. and all other kinds of bs technologySkullFvck wrote:Line 6 is for lazy fucks that can't find their tone so they use digital because it's that easy.
Posted: Sun Jan 04, 2009 3:30 am
Your statement has been accepted and agreed with fully.Pfl?yd wrote:SkullFvck wrote:Line 6 is for lazy fucks that can't find their tone so they use digital because it's that easy.
Oooorrr need lots of different tones and don't feel like hauling all their gear in a Ryder Truck to the gig.
Posted: Mon Jan 05, 2009 1:47 pm
Like pfloyd said, they sound amazing cranked but they're not very versatile. Vox =
Posted: Mon Jan 05, 2009 3:14 pm
A friend of my grandpa's died and he dropped off some old 70's Ampeg heads and cabs that were willed to me for some weird fucking reason.
They sound like absolute shit.
They sound like absolute shit.
Posted: Mon Jan 05, 2009 3:19 pm
What series are they?!FatRufusFucksYou wrote:A friend of my grandpa's died and he dropped off some old 70's Ampeg heads and cabs that were willed to me for some weird fucking reason.
They sound like absolute shit.
Posted: Mon Jan 05, 2009 3:36 pm
You know that they're bass amps right? They probably need retubing, for starters.FatRufusFucksYou wrote:A friend of my grandpa's died and he dropped off some old 70's Ampeg heads and cabs that were willed to me for some weird fucking reason.
They sound like absolute shit.
Posted: Tue Jan 06, 2009 1:26 am
They probably did need re-tubing. I stopped playing music when I realized I wouldn't get any better at it because I'm limited by extremely clumsy fingers.
Anyway the fucking things smell like cat piss, but a buddy of mine offered $4500 for all three heads and both 8x10 cabs. Apparently these all belonged to my grampa's friends kid who died in the 80's or something. He couldn't let go of all that shit.
Anyway the fucking things smell like cat piss, but a buddy of mine offered $4500 for all three heads and both 8x10 cabs. Apparently these all belonged to my grampa's friends kid who died in the 80's or something. He couldn't let go of all that shit.
Posted: Tue Jan 06, 2009 2:04 am
CFH Eternal wrote:What series are they?!FatRufusFucksYou wrote:A friend of my grandpa's died and he dropped off some old 70's Ampeg heads and cabs that were willed to me for some weird fucking reason.
They sound like absolute shit.
Posted: Tue Jan 06, 2009 2:48 am
i really hope this deal wasnt made for your sake.FatRufusFucksYou wrote:They probably did need re-tubing. I stopped playing music when I realized I wouldn't get any better at it because I'm limited by extremely clumsy fingers.
Anyway the fucking things smell like cat piss, but a buddy of mine offered $4500 for all three heads and both 8x10 cabs. Apparently these all belonged to my grampa's friends kid who died in the 80's or something. He couldn't let go of all that shit.
Posted: Wed Jan 07, 2009 12:59 am
clutch used orange, so go fuck yourselfwhitemike wrote:Overpriced, gargling indy garbage. Orange are fucking shit.
If you want something with actual good tone and build along similar lines just go for Vox
Posted: Wed Jan 07, 2009 4:15 am
I've never used Orange but every time I've seen someone use it in concert it sounded great.
Posted: Thu Jan 08, 2009 11:21 pm
probably saw these if you made a thread about it, but
http://www.youtube.com/watch?v=ESIarEUA ... 75&index=2
http://www.youtube.com/watch?v=P-PHqs4zBAc
.....eh.
http://www.youtube.com/watch?v=ESIarEUA ... 75&index=2
http://www.youtube.com/watch?v=P-PHqs4zBAc
.....eh.
Posted: Fri Jan 09, 2009 12:09 am
Ugly amps
Posted: Wed Jan 21, 2009 5:06 am
shity amps 
Posted: Fri Jan 23, 2009 8:49 am
Posted: Fri Jan 23, 2009 2:27 pm
Now THAT'S a shitty amp.
Posted: Fri Jan 23, 2009 2:38 pm
I found an amazing deal on this last summer and got this. Vox = . Honestly the cleanest, chimiest, clearest, and at the same time snarling, sizzling and powerful amp I've ever played. This thing is its own fucking instrument.
. Honestly the cleanest, chimiest, clearest, and at the same time snarling, sizzling and powerful amp I've ever played. This thing is its own fucking instrument.Posted: Fri Jan 23, 2009 3:02 pm
I have really wanted to try one of those handwired Vox AC30's for a long time but just never got around to doing that. That said, have you ever tried Fender's amps (IE: Vibroverb, Vibroking)?
Posted: Fri Jan 23, 2009 3:07 pm
An AC30 is my dream amp.
Posted: Fri Jan 23, 2009 3:15 pm
Not sure about those particular models but I've played some nice Fenders. I definitely dug it, but ever since I got that Vox, nothing else sounds as articulate to me.
If you get a chance to play one, I highly recommend it. I'm playing a USA telecaster through it and they were just made to make musical sex. Warm, creamy, golden, chimey, etc etc. I also love that there's no knob for distortion/overdrive, the volume knob is basically that function as well as other control over tone. And without the reverb and tremolo that are on the Vox Custom Classic's, the tone sounds straight to the source, not crowded or drowned out.
Another aspect worth noting is that it's a two channel amp, but it's not switchable by pedal. There are 4 inputs total, with 2 assigned to each channel (there's a 6 decible gain difference between each channel's 2 inputs), so you'd need an ABY switch. But the first channel is the Preamp 1958 model, and I guess was used by Bill Haley and the Comets. The controls for that are a Volume, a Brilliance switch, and there's 3 different settings for it, ranging from super top end, balanced, and super low end. And there's 2 switches: a bass switch, when flipped on gives it this overbearing heavy as fuck bass, and the pentode/triode switch for using the tubes at full or half power. The other model is the 1963 Top Boost used by Beatles, Radiohead, etc... It has a volume, bass and treble EQ knobs, and their settings alter the natural midrange, and a Tone Cut control which cuts off high end the more you turn it up, and has the Pentode/Triode thing again for using the tubes at full or half power.
Also, it comes with Celestion Blue Alnico speakers which are just unbelievable. I know the Custom Classics have those Wharfdale speakers, and those are trash.
I should be a Vox salesman.
If you get a chance to play one, I highly recommend it. I'm playing a USA telecaster through it and they were just made to make musical sex. Warm, creamy, golden, chimey, etc etc. I also love that there's no knob for distortion/overdrive, the volume knob is basically that function as well as other control over tone. And without the reverb and tremolo that are on the Vox Custom Classic's, the tone sounds straight to the source, not crowded or drowned out.
Another aspect worth noting is that it's a two channel amp, but it's not switchable by pedal. There are 4 inputs total, with 2 assigned to each channel (there's a 6 decible gain difference between each channel's 2 inputs), so you'd need an ABY switch. But the first channel is the Preamp 1958 model, and I guess was used by Bill Haley and the Comets. The controls for that are a Volume, a Brilliance switch, and there's 3 different settings for it, ranging from super top end, balanced, and super low end. And there's 2 switches: a bass switch, when flipped on gives it this overbearing heavy as fuck bass, and the pentode/triode switch for using the tubes at full or half power. The other model is the 1963 Top Boost used by Beatles, Radiohead, etc... It has a volume, bass and treble EQ knobs, and their settings alter the natural midrange, and a Tone Cut control which cuts off high end the more you turn it up, and has the Pentode/Triode thing again for using the tubes at full or half power.
Also, it comes with Celestion Blue Alnico speakers which are just unbelievable. I know the Custom Classics have those Wharfdale speakers, and those are trash.
I should be a Vox salesman.